From the streets of Chicago to far flung galaxies whirling through space, JUPITER ASCENDING is a science fiction epic adventure that follows the downtrodden Jupiter Jones (Mila Kunis — Black Swan), who’s destined for greatness. When a genetically engineered ex-military hunter Caine (Channing Tatum — Magic Mike) tracks her down, she starts to glimpse the fate waiting for her all along — her genetic signature marking her as next in line for an …
Source: Jupiter Ascending
About the Movie
Jupiter Jones (Mila Kunis) cleans houses in Chicago and hates her life. She is also, unknown to herself, the genetic reincarnation of the matriarch of the House of Abrasax — the most powerful dynasty in an interstellar civilization that farms planets — which makes her, by galactic law, the legal owner of Earth.
That makes her a target. The three Abrasax heirs are fighting over the inheritance, and Earth’s population is an asset on a balance sheet: humans are harvested, when a planet ripens, to manufacture a youth serum that keeps the galactic elite immortal. Jupiter’s only protection is Caine Wise (Channing Tatum), a genetically engineered ex-soldier with wolf DNA and anti-gravity boots, who skates through Chicago’s sky in a rescue that turns into a whistle-stop tour of a baroque space civilization of registries, weddings, bribes, and bees that recognize royalty.
Why This Movie Matters to Sci-Fi
Jupiter Ascending, from the Wachowskis, is one of the last big-budget attempts at wholly original space opera — not adapted, not a sequel, built from scratch — and its failure at the box office is often cited as the moment studios stopped gambling on original sci-fi worlds. Visually it remains astonishing: a maximalist, Byzantine space bureaucracy unlike anything else on screen. Its reputation has steadily grown as a cult film, appreciated for exactly the ambition that sank it, and it stands as a case study in the tension between originality and franchise economics that defines modern genre filmmaking.
